Chang then goes a step further and intricately links these reforms with the punitive changes to welfare, forcing poor women into low-paying jobs without the social services necessary to eventually seek other options. Sound familiar?
She proves how the government, private employers and corporations again benefit from this joint arrangement. To complete the picture, Chang is fierce in her challenge to other benefactors, including middle and upper class white women who hire these poor women to take care of their children and elderly. She notes how this situation enables the social conservatism of this class, as housekeeping provided by immigrants aids in reducing tension at home over these chores and allows this privileged class to move up the corporate ladder.
She notes how when confronted by living wage campaigns, it is these women who are the first to squawk at the possibility of having to pay higher wages.
Immigrant women from Korea, China and Mexico share their histories of migration, from sweatshop conditions in their rural homelands to surprisingly even worse ones here. The women go on to describe their triple jornada three shifts of struggle: on the job, in the community and in the home. I came out in the world.
Books by Grace Chang. A decade and a half later, they are still here and still fighting for the workers of the world. Eerdmans Publishing Company, Joseph A. Ar-jen Poo is an American activist. It is a powerful duo.
When you go out into the outside world, you find another reality. I think that is what has made me so protective of this organization. Clear to sustaining their activism is their profound vision of organization as community that transcends their on-the-job struggles or their family obligations, to see themselves as warriors of a much larger social movement, battling the very roots of oppression.
At times the book is a short history lesson of externally-generated financial crises in developing countries and forced emigration; at others an artistic infusion of Korean, Chinese and Mexican expressions and sayings, struggle-inspired songs and poems. At still other points, the book is a nuts-and-bolts description of what it takes to build strong collectives from the bottom-up. What I failed to realize was how far their organizations propelled clear beyond these single-issue efforts. On the way, these women were building community-sustaining organizations.
All of this begged me to ask the question: What role did the unions play?
So what made this all possible? According to Louie and the women themselves, key is education that focuses on rank-and-file leadership and political activism and then the opportunities within the organization to exercise these new insights. Linked with that is a vision of centers themselves creating community, inviting participation and providing camaraderie and affection.
Here we are not just individuals. We go to support and participate in all struggles in the movement.
It would also be essential for newer activists to understand the roots of the anti-sweatshop movement from the women warriors who took up their spears and led the way. Breeding Ignorance Breeding Hatred. Undocumented Latinas. Immigrants and Workfare Workers.
Gatekeeping and Housekeeping. Afterword to the Edition. She teaches about social science research methods and ethics; women resisting and surviving violence in all forms; and grassroots, transnational, feminist social justice movements.
Disposable Domestics: Immigrant Women Workers in the Global Economy [Grace Chang] on ykoketomel.ml *FREE* shipping on qualifying offers. Contents. by Grace Chang (Author), Ai-jen Poo (Afterword), Alicia Garza (Foreword) & 0 more. “Grace Chang’s Disposable Domestics is as timely and relevant now as it was when it was first written. "Grace Chang’s nuanced analysis of our immigration policy and the devastating consequences of.
She is founding director of WORD Women Of color Revolutionary Dialogues , a support group for women and queer and trans people of color building community through spoken word, political theater, music, dance and film. Foreword by Alicia Garza writer and Oakland-based activist.