Vadam et circuibo arr.
Tu es Petrus. Christe redemptor omnium. Doctor bonus. Tibi Christe.
Descendit angelus. O doctor optime. O quam gloriosum. Missa O quam: Kyrie. Missa O quam: Gloria. Missa O quam: Credo.
Missa O quam: Sanctus. Missa O quam: Benedictus. Missa O quam: Agnus. Lauda mater ecclesia. O decus apostolicum. Aurea luce et decore. Liturgia de Pascua en el Madrid de los Austrias. Laetatus sum. Ad Vigliam Paschalem. Laudate pueri Antiphona: Alleluia. Magnificat Antiphona: Vespere autem. Ad Missam. Introitus: Resurrexi et adhuc tecum sum. Schola Antiqua. Missa Laetatus sum. Ad Vesperas. Angelus Domini. Sequentia: Victimae paschali laudes. Himnus: Ad caenam Agni providi.
Ecce nunc benedicite Dominum Antiphona: Miserere mihi. Antiphona: Regina coeli laetare. Nigra sum sed formosa, I 6vv. Senex puerum portabat, I 17 4vv. Salve Regina, IV 72 6vv. Magnificat Quinti toni versos pares , III 37 6vv. Laudate Dominum omnes gentes, VII 20 8vv. Ave regina caelorum, VI 1 8vv. Missa Ave Regina.
Date ei et fructu 4vv. O sacrum convivium, I 34 6vv. Lauda Sion. Domine non sum dignus. Salve Regina. Ave maris stella. Ego sum panis vivus. Tantum ergo. Missa Salve.
Sanctus et Benedictus. O sacrum convivium. Ensemble Plus Ultra, Michael Noone. Surrexit pastor bonus.
O lux et decus Hispaniae. O regem coeli. Magi viderunt stellam. Conditor alme siderum. Vadam et circuibo civitatem.
Duo seraphim. Veni creator spiritus. O magnum mysterium. Ascendens Christus. Dum complerentur dies Pentecostes. Hostis Herodes. Quem vidistis, pastores. Ardens est cor meum. English German. Prepare to experience heaven on earth, and lots of it. December One of the most enjoyable characteristics of Iberian choral music of this period is the askance perspective Victoria and his contemporaries had on the rules of polyphony that, by Palestrina's benchmark, were sacred and absolute: it is that variety and unpredictability that keeps this music engaging enough to support 10 discs and 90 pieces by the same composer in one place.
But unless a choir embraces the music in that same spirit of insubordination, many of its rhythms, harmonies and audacious dissonances will pass by unnoticed. This is one of the great strengths of the Ensemble Plus Ultra, who embrace the performances of all these pieces with an enthusiastic sense of anything being possible. Ultimately, though, it is just deeply human and emotional music that they perform not only with great tenderness but so simply that one is struck every time -- as if for the first time -- by its crystalline, uncomplicated beauty.
Impassioned singing and an orchestra of late renaissance instruments make this a must. Victorias Klangmagie. Und so schreitet man bewusst und nicht vernebelt bis zum siebenten Himmel hinauf. Eine Offenbarung, nichts weniger. Related albums. Release 11 Aug. Kyrie 3. Gloria 4. Credo 5. Sanctus - Benedictus 6.
Agnus Dei 7. Introitus 9. Kyrie Graduale Offertorium Agnus Dei Communio Responsorium: Libera me Peccantem me Vere languores 2. Pueri hebraeorum 3. Quomodo sedet 4. Et egressus est 5. Manum suam 6. O Domine Jesu Christe 7. Cogitavit Dominus 8. Matribus suis 9. Ego vir O vos omnes Misericordie Quomodo Kyrie 2.
CPDL # Original key (high chiavette):: Transposed down a minor third: - 10 pages: Transposed down a fourth: Alto parts are in tenor. Title: Magnificat primi toni. Composer: Orlando di Lasso. Number of voices: 4vv Voicing: SATB Genre: Sacred, Vespers, Evening Canticles. Language: Latin.
Gloria 3. Credo 4. Sanctus 5. Benedictus 6. Magnificat Octavi Toni 8. Gloria In this case we will refund the cost of the item and you will be responsible for the cost of returning the item to us. You may not return items that we have ordered specially for you unless they are faulty or supplied in error. If you wish to return an item to us, please email sales scorestore. We will not accept unsolicited returns arriving at our warehouse. Earn 3 Loyalty Points. Quantity Discounts with Forwoods ScoreStore! Are you in music education? Delivery Times We aim to dispatch every order within 24 hours excluding weekends.
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