grupoavigase.com/includes/381/1197-bailes-de-salsa.php Schenker's Argument and the Claims of Music Theory (Cambridge Studies in Music Theory and Analysis) [Leslie David Blasius] on ykoketomel.ml *FREE*. Cambridge Core - Twentieth-Century and Contemporary Music - Schenker's Argument and the Claims of Music Theory - by Leslie David Blasius.
I accomplish this by giving a normative reading of Schenker's theory of absolute music, a reading which understands Schenker's musical absolutism as at root a theory of the proper norms of musical hearing. I then argue that the observance of these norms induces one to explain musical structures teleologically.
Schenker's necessitarian language, I contend, makes sense once it is situated within the context of Kant's theory of biological explanation, as set out in his Critique of Teleological Judgment, the second half of his Critique of the Power of Judgment. Size: 3.
Traduzido e editado por Philip Gossett. New York: Dover Publications, Classical Music: Expression, Form, and Style. Traduzido por Raymond Haggh. Traduzido por William Mickelsen.
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David Schwartz and Anahid Kassabian, 13— Judged horizontally, B precedes D as it does in the music. Ian Bent. USD Dubiel, Joseph. In music theory books, the basic information that is provided is often hidden
Editado por William Drabkin e traduzido por Ian Bent. Traduzido e editado por Ernst Oster.
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Ajuda do sistema. Texto completo: PDF. Who Cares if You Listen? The Structure and Function of Musical Theory. College Music Symposium , Words About Music. Madison: University of Wisconsin Press, London: Macmillan, The Structure of Atonal Music.
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