Colonial Counterpoint: Music in Early Modern Manila (Currents in Latin Amer & Iberian Music)

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May 7, , pm at the Mexican Cultural Institute. Join Kolb as he asks whether for Redes , Revueltas was composing for film or filming for music. Roberto Kolb is today's leading Revueltas authority. April 29, , am - pm at the Mexican Cultural Institute. The symposium will explore the role of indigenous people, ethnographers, and naturalists in the Spanish Atlantic in the development of early modern science. Please see below for a tentative schedule. April 24, , pm at the Mexican Cultural Institute. Join us at 3pm on Thursday, April 24th for a tour of our 16th Street Mansion!

The tour will be led by esteemed architectural historian Pamela Scott , who specializes in the history of Washington's planning and built environment. Click here to read more about Pamela Scott. April 21, , pm at the District Architecture Center. Join us at the District Architecture Center for a lecture and book signing by Dr. James Oles.

Colonial Counterpoint: Music in Early Modern Manila (Currents in Latin Amer & Iberian Music)

This lecture will explore questions in relation to Dr. Oles' new book Art and Architecture in Mexico, the first comprehensive survey covering the colonial through contemporary periods in almost fifty years! The event is free to the public. Signed copies of Dr. Please select the number of books you want to purchase at the end of the registration process. You must reserve your book s by April 7 if you would like to purchase.

Read More. Join us at American University for a panel discussion featuring Mario Bellatin, one of Mexico's foremost writers! The event will be in Spanish. Mario Bellatin 's approach to an experimental consciousness marks the standard of convex writing in contemporary Latin American literature. Bellatin was born in Mexico, grew up in Peru, and studied screenwriting in Cuba.

Among his more well-known works is his book "Flowers", which won the Premio Xavier Villaurrutia in He was the recipient of a Guggenheim grant in , and Nobel Prizewinning author Mario Vargas Llosa described him as "one of the most interesting writers that have arisen in Latin America in recent years. April 11, , pm at the McNeir Hall Auditorium. Don't miss an exploration of the music of Mexico and the Gulf coast region of Veracruz from with Georgetown's Dr.

John Tutino!

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The afternoon will mix popular music, discussions of diverse peoples facing revolutionary challenges, examinations of the rise of the Mexican film industry, all focusing on the film Redes —a Mexican production, filmed in Veracruz, involving Paul Strand and Fred Zinneman, with music by the great Mexican composer, Silvestre Revueltas. D, History, Georgetown. Selections from Silvestre Revueltas' score while showing excerpts from the recently re-mastered film. See more about the events on the PCE website.

April 5, , am at the Mexican Cultural Institute. The assigned book is John Steinbeck's Zapata. Join us for a screening and discussion, led by Georgetown University's John Tutino a historian of Mexico and its revolutions and Jorge Hernandez Mexican historian and writer. Like Aaron Copland, Paul Strand, and many others from the US, John Steinbeck who spoke Spanish was galvanized by the Mexico he discovered in the s — the land, its people, and the prospect of radical social and political change.

He wrote a treatment for a film on the life and times of martyred revolutionary Emiliano Zapata, a text long lost and now published as Zapata, which reflected his optimism. And yet the Viva Zapata film project in which he participated projects a different perception of Mexico ensnared in the politics of the Cold War and the Red Scare.

Elia Kazan, the film's director, was called to DC to name names before the House Un-American Activities Committee he had been told by Darryl Zanuck that the film would otherwise be abandoned. And — as documented in Steinbeck's Zapata — the script had undergone a fundamental change of its own.

Colonial Counterpoint: Music in Early Modern Manila (Currents in Latin Amer & Iberian Music)

Compared to the iconic Mexican film masterpiece Redes , Viva Zapata! What happened?

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How were the best intentions squandered and distorted? Read Steinbeck's original vision in Zapata , come and join us in viewing Viva Zapata! Click here to see Joseph Horowitz talk about the event on Youtube. March 31, , pm at the Mexican Cultural Institute. The new book on Mr.

Paz brings together biography, literary criticism and political essay as genres.

Finalist of the 20th Comillas Award of Biography, in Barcelona, Spain, the book presents new insights on writers and intellectuals whom the poet met along his career. Perales goes deep into Octavio Paz's unique and fresh standpoint as editor of the magazines Plural and Vuelta , as well as the cultural project that his two legendary publications gave to all Hispanic America. Nobel Prize for Literature winner Mario Vargas Llosa calls the novel "A mandatory reading for understanding the politics and culture of the last twenty years in the Americas of the twentieth century".

Jaime Perales Contreras was born in Mexico City. He did his undergraduate studies in social sciences at ITAM. His previous work on Mr. Paz influenced quite a few studies on the poet's work. He collaborated with different publications in Mexico, the United States and Brazil. March 26, , pm at the Mexican Cultural Institute. Don't miss this exciting opportunity to delve into the mind of one of Mexico's leading novelists, poets and playwrights. Mexico's extraordinary women aren't the monsters from the hinterlands like the fabled spider-woman , rather, they are the cornerstones of creation for both the collective imagination and reality of Mexico.

Through these women, we recognize that the extraordinary is simply that which best captures reality. Carmen Boullosa is a prolific author, who has had literally scores of books, essays and dissertations written about her work, has been lauded by critics on several continents, and has won many of Spanish literature's top prizes, both in Mexico and abroad. Her most recent English translation, Cleopatra Dismounts, "lavishly reimagines the life of the legendary Cleopatra of Egypt in a daring intermingling of fantasy and history," according to one reviewer, and the Washington Post spoke of the book's "exhilarating" and "incantatory prose" which left the reader "yearning for more of this talented author's work.

March 13, , pm at the Mexican Cultural Institute. Although frequently overshadowed by their male counterparts, each made a pioneering contribution to the advancement of Mexican art and culture. This lecture will consider their role as women within the Mexican art world of their day, as well as expounding on their work at the crossroads of revolutionary culture and the international avant-garde. She is presently writing a book on the collage technique in Mexican art. She is currently developing an exhibition on Frida Kahlo.

Don't miss a lecture with noted Mexican photographer Alejandro Cartagena, as he discusses the images from "The Car Poolers" exhibition in the context of the "Suburbia Mexicana" project, which focuses on the complexity of rapid urbanization in 21st century Mexico. Throughout this body of work, Cartagena has directed his eye and camera towards the changing scenes around his home city of Monterrey, Mexico.

In the photographs, he objectively records home ownership, urban sprawl, environmental degradation, and government policy. A reception will follow the talk in the Walsh lobby opposite the Spagnuolo Art Gallery. Although artists and activists alike have focused on the negative impact of urban sprawl since the s, Cartagena's work is unique in its preoccupation with the largely overlooked, irrevocable effects of suburban expansion within a local ecosystem.

Washington D. February 20, , pm at the Mexican Cultural Institute. Join us to experience our Man at the Crossroads exhibition from a deeper, more profound perspective, featuring two of Mexico's brightest luminaries on the subject! Pablo Ortiz Monasterio was born in Mexico City in She currently teaches graduate courses of image analysis and modern art at the ENAH.

February 5, , pm at the Mexican Cultural Institute. Barbara Tenenbaum, Specialist in Mexican Culture in the Hispanic Division of the Library of Congress, will discuss the nature of the Mexican Revolution: what it was and what it was not. She will show how this first lasting Revolution of the twentieth century was much more about Mexico than about Revolution, and how the nation grew into its Constitution of December , at the Library of Congress.

The event will feature music, film, sound recordings—all from the Library—as well as presentations by eminent Mexican and Mexican-American writers, artists, and scholars. It will shine a bright light on Mexican identity as well as on the Mexican American experience. It will be moderated by chief curators of the Library of Congress, who are uniquely equipped to tell this story.

Sandra Cisneros, the acclaimed American author, who wrote the memorable, groundbreaking novel about Mexican-American identity, The House on Mango Street. Read more. November 19, , pm at the Mexican Cultural Institute. The book offers an integral historical perspective on our neighboring countries and the significant changes in policy and relationship throughout more than two centuries of bilateral relationship.

The event will be moderated by Dr. November 5, , pm at the Mexican Cultural Institute. The man commonly known as Edward James is largely a myth, a myth defined by the adjectives used to describe him—eccentric, wealthy, illegitimate, collector, surrealist. This talk will examine Edward James' life commencing with his American roots and then exploring the path James' life took that led him from West Dean, a 6, acre estate in Chichester, West Sussex in England, to the jungles of Xilitla, Mexico, where he created his 'Garden of Eden,' one of the most extraordinary surrealist wonders of the world.

Dr Kusunoki has contributed to several international publications and has lectured and written extensively on Edward James and surrealism. September 24, , 10am at the Mexican Cultural Institute. October 16, , pm at the Mexican Cultural Institute. The talk will focus on the creative process involved in the production of an artwork.

Exploring the notion of collage in everyday life situations between the past and present, from everyday life situations and objects that involve music, design, history and technology, Pintado seeks to juxtapose conflicting artistic concepts and ask questions about what is to be contemporary. Currently, Pintado is working on the publication of a book of his most recent work and preparing a solo show for the end of the year. Join American University for an evening with renowned Mexican director Arturo Ripstein, as he talks with AU film professors, dissecting the craft of a short film that will screen that evening.

Ripstein, famous in the US for such critically acclaimed films as Deep Crimson and Such is Life is one of the most laureled film directors in Mexico's rich cinematic history. The event will be in English, and a reception will follow. For more information, please contact Dennis Stinchcomb at denniss american.

September 8, , pm at the Mexican Cultural Institute. Please note: these lectures will be in Spanish without translation. To RSVP, email porozco instituteofmexicodc. February 7, at the Mexican Cultural Institute. Each of them was associated with Surrealism as it had developed in Europe under the watchful eye of Andre Breton, the "high priest" of the movement who had also come to Mexico in the late s.

This lecture will explore the complex and fascinating reasons why Surrealism enjoyed such popularity in Mexico around and how Mexico City rivaled Paris as a center of Surrealist artistic invention. Edward J. Sullivan is professor of the history of art at New York University. He is the author of over thirty books and exhibition catalogues in the field of Latin American and Caribbean art.

Much of his scholarship has focused on Mexican art of the twentieth century. January 29, , pm at the Mexican Cultural Institute. Her articles have appeared in publications in the United States, Mexico and Germany, as well as online at susanfrost. December 11, , pm Mexican Cultural Institute. The Mexican Cultural Institute is proud to welcome Zapotec scholars Victor Cata and Emiliano Cruz Santiago to lecture on texts recovered from Zapotec knowledge bearers considered to be living codices, safeguarding the memory of the Peoples of the Clouds.

November 29th , 6pm at the Phillips Collection Museum. Reyes's works--a temporary clinic, a puppet show, a man-propelled vehicle--examine the contradictions of modern life, address the interplay between physical and social space, and call for political and economic participation. He will be joined by authors Katherine Benton-Cohen and Jose Limon, who will reflect on their chapters and the larger perspectives they raise.

This new book, sponsored by the Georgetown University Americas Initiative and published by the University of Texas Press, aims to shift the conversation from the "problem" of Mexicans--citizens and migrants--in the United States to focus on how Mexico and Mexicans have contributed in pivotal ways to creating and shaping the US.

The volume discusses the role of New Spain in founding American capitalism; nineteenth-century cultural and economic interactions between Mexico and the US in times of war and peace; Mexican participations in migration and labor in the US West around ; and the twentieth-century rise of a Mexican-American middle class and its openness to ethnic amalgamation--in contrast to traditions of racial polarity.

Thursday, November 15th , pm at the Corcoran Gallery of Art. September 28, at pm, at the Mexican Cultural Institute. With this 14th celebration, Architecture Week will shine a spotlight on Washington's foreign embassies and institutions, including our own Mexican Cultural Institute. Join us at noon on Friday, September 28th for a tour of our 16th Street Mansion, highlighting the several distinctive features designed by architect Nathan Wyeth, including the Entrance Hall, distinguished by an elaborately carved staircase that leads to the upper floors; the Music Room and the pipes of the Aeolian organ on the north wall, which were installed from the basement to the fourth floor; and the Dining Room, for many years the largest private one in all of DC.

For more information visit the event's website. The tour will be given by the esteemed architectural historian Pamela Scott, who specializes in the history of Washington's planning and built environment. The event will be held in English with a reception to follow. For more information, please contact Dennis Stinchcomb or Visit the AU event calendar here.

September 13, , pm at the Mexican Cultural Institute. Join us for an evening of anthropological inquiry with Diana Magaloni, director of Mexico's celebrated Museum of Anthropology and History, as she delivers a lecture entitled "Mural Painting and the Mayan Tradition: Materials, Techniques, and Artists. The Mexican Revolution--that violent, inchoate, never-quite-complete break with the past--opened a new era in Mexican art and letters now known as the "Mexican Renaissance.

Into this milieu came Anita Brenner, in her early twenties already trying her hand as a journalist, art critic, and anthropologist. Her journals of the period to vividly transport us to this vital moment in Mexico, when building a "new nation" was the goal. Brenner became a member of Rivera's inner circle, and her journals provide fascinating portraits of its members, including Orozco, Siqueiros, Rufino Tamayo, and Jean Charlot, with whom she had an unusual loving relationship.

She captures the major and minor players in the act of creating works for which they are now famous and records their comings and goings, alliances and feuds. Numerous images of their art brilliantly counterpoint her diary descriptions. Brenner also reveals her own maturation as a perceptive observer and writer who, at twenty-four, published her first book, Idols Behind Altars. Her initial plan for Idols included four hundred images taken by photographers Edward Weston and Tina Modotti.

Many of these images, which were ultimately not included in Idols, are published here for the first time along with stunning portraits of Brenner herself. The festival features readings, workshops, panel discussions, youth programming, parties, activism--opportunities to speak out for justice, build connection and community, and celebrate the many ways poetry can act as an agent for social change. This year, Mexican poet, novelist, environmental activist, journalist and diplomat Homero Aridjis will be reading on Friday, March 23, at pm.

He'll also be participating in a panel discussion on poetry and environmental justice on Saturday, March 24, at 2 pm. They will discuss MoMA's perspective on design and its insertion in the market, the current trends in contemporary design in Mexico and particular projects developed by designers and design collectives in Mexico. Known for his captivating use of color, Rufino Tamayo created a unique form of modernism in Mexico. Tamayo synthesized the aesthetics of the European vanguards with Mexican content and form in a dynamic tension.

Geography & Domestic Recreation in Early Modern Europe

His refusal to be didactic, yet his insistence on promoting Mexican aesthetics and motifs, has had a profound legacy on the development of modernism in Mexico, the United States, and Europe, places he lived and worked throughout his life. Anna Indych - Lopez will discuss Tamayo's various aesthetic influences, the contexts in which he worked, and the ways in which he constructed a new paradigm for Mexican painting.

Architect Enrique Norten explains why he relies less on inspiration than on a complex and analytical research-focused design process. Norten has also designed two striking new buildings for Washington, D. Martin Moeller, Jr. Rivera -a forty five year old, openly Communist, Mexican artist- may have seemed an unlikely choice for the young Museum's second only retrospective, but the show was wildly popular. Rivera's international celebrity was based on his fame as a muralist. But murals -by definition fixed on site- were impossible to transport. In order to solve this problem, the Museum brought Rivera to New York from Mexico six weeks before the opening, and installed him in a makeshift studio space in an empty gallery.

There he produced eight "portable" murals -freestanding fresco panels- which were featured in the show. Five of these monumental works are now on view in the exhibition at The Museum of Modern Art, along with working drawings and related material. Together these projects provide a compelling perspective on the intersection of art making and radical politics in the s. This special presentation, co-organized with the Latin American Center for Graduate Studies in Music of Catholic University, will include a lecture and concert in honor of Dr.

Robert L. Parker, a distinguished scholar of Mexican music. I - and selected songs by Silvestre Revueltas. Sobre la autora La Dra. This event will be conducted in Spanish. About the exhibit The sample of works comprise two series: The Paraphrase series, inspired by some of the most distinguished artists throughout time like Michelangelo, Frida Kahlo and Picasso, to name a few, and the Characters of Impact series, in which Sacal recreates unmistakable historical figures such as Einstein, Winston Churchill, Cuauhtemoc, and more.

Books available for sale and signing. Reception to follow. The Mexican Cultural Institute and Art Exchange have the pleasure to invite you to an evening with world renowned photographer, Harvey Stein. About Harvey Stein Mr. About the talk "During the 19th century the world lived through an amazing frenzy for discovery and discoveries. About the Conversation This free introduction event is sponsored by the In Series. More info Author's portrait by Diego Berruecos.